Paul Elliman lives in London. His series of ouija-board works made between 1995 and 2005 under the title Neither mechanical nor supernatural volunteer material and language-based contact with specific artists that have interested him, influencing his sometimes ambivalent engagement with art. These have included among others Derek Jarman, Ketty La Rocca, Tristan Tzara and George Maciunas. A board for Josef Albers was first made when Elliman was teaching at Yale in 2001, acknowledging the anniversary of Albers’ arrival at the school in 1951.

Thomas Grünfeld is a Cologne-based artist and professor of sculpture at the Kunstakademie Düsseldorf.

Christophe Jacquet dit Toffe is a multidisciplinary artist who has developed a radical aesthetic through the pioneering use of computers and scanners, pushing the parameters of graphic design and photography. He has exhibited works at CalArts, the Triennale di Milano, the Cneai= and the Musée des Arts Décoratifs in Paris, and at the Institut Français d’Alger. In 2004, a monographic exhibition of his work, Reproduction Générale, was held at the International Poster and Graphic Design Festival of Chaumont. He teaches at the École Nationale Supérieure d’Art et de Design de Nancy.

Charles Mazé is a graphic and type designer based in Paris. He works with Coline Sunier since 2009. They were fellows at the French Academy in Rome–Villa Medici in 2014–15, and are now graphic designers in residency at Contemporary Art Center CAC Brétigny. Charles is part of the teaching staff of Atelier National de Recherche Typographique (ANRT) in Nancy.

James Mosley is a typography and printing historian, teacher and former librarian of St Bride Library.

Carolee Schneemann (1939–2019) was a groundbreaking performance and multidisciplinary artist whose works since the 1960s have confronted sexuality, gender, and the cultural biases of art history. In 2017 she received the Venice Biennial Golden Lion for Lifetime Achievement. In 2017–18, a retrospective of her work travelled between the Museum der Moderne, Salzburg; Museum für Moderne Kunst, Frankfurt; and PS1 MoMA, New York.

Most of our fonts are available for trial on request, please contact us. The trial fonts have a limited character set and should not be used for any commercial purposes.

The base price of our fonts will decrease accordingly for each license user added. Fonts will be available to download as digital files shortly after your order is completed. You will receive an email with a download link. ABYME is not VAT-registered.

Our fonts are supplied in the following formats for use on desktop and web: .otf, .woff, .woff2. They will work on MacOS and Windows. Due to their digital nature, the fonts cannot be returned. If you encounter any technical issues with our fonts, please contact us.

At the moment we do not directly provide licenses for audiovisual content, applications or electronic publications on our website or other online services. If you do require such a license, please contact us and we will try to meet your needs.

The full character set, language support and OpenType features of our fonts are detailed in the pdf specimens which are available to download on this website. Note that these may vary from one font to another. If you require characters or features that we do not already support please contact us.

We do not allow the alteration of our fonts. This includes for example modifying the shape of a character, or the conversion to another file format. If you require a modification, please contact us to discuss it.

We can ship to any international address. Shipping methods and rates will be calculated according to your shipping address. Please allow 28 days for us to process, pack and ship your edition. Please do contact us if you have any specific shipping requirements or enquiries regarding delivery times.

When your shipment has been dispatched you will receive an email indicating when to expect delivery. Your tracking number will be included in the email so you can track your delivery online.

Please note that any import duties which are incurred with an international shipment are the responsibility of the purchaser.

You are most welcome to collect your edition from London if it is easier for you. Please contact us to arrange a suitable time.

We offer a 14-day, money-back guarantee if you are not happy with your edition, or it arrives damaged in any way. Returns must be made in original packaging.

Prices are subject to change. As an edition sells and there is less availability the price may increase. In order to be aware of any price changes or new launches we recommend you join the mailing list.

The price payable for the goods you order is as set out on the website, plus any charges for delivery if applicable. ABYME is not VAT-registered.

Occasionally, an error may occur and goods may be either incorrectly priced or described, in which case we will not be obliged to supply the goods at the incorrect price or in accordance with the incorrect description, or at all. We reserve the right to correct any errors from time to time. We will at our discretion either cancel your order and refund the price you have paid or use reasonable endeavours to contact you and ask you whether you wish to continue with the order at the correct price or correct description. If we are unable to contact you or you do not wish to continue with the order at the correct price or correct description, we will cancel your order and refund the price you have paid.

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It is our expectation that the artwork will not be purchased for resale and will be retained by you for your own personal enjoyment. Specifically, that you will not sell or offer for sale the artwork on any internet based auction or other website. In order to preserve this founding principle we reserve the right choose who to sell our editions to, specifically buyers whose intention is to resell the edition.

Editions are supplied with a certificate of authenticity to prove the number of the edition and to certify its origin.